![]() ![]() "During my first six months at MOCA I’ve had the privilege of getting to know the passionate, dedicated team here, including those who are union members,” says MOCA director Johanna Burton. These terms represent a huge win for the union, which cited problems related to working conditions, job security, salary increases and more when it first formed. Some highlights of the contract include pay raises of 15.25% and 20.35% over the next three years, vacation days for part-time and temporary employees, health insurance for part-time employees, supplemental paid parental leave and grievance procedure and arbitration protections. The MOCA bargaining unit has around 80 members across various departments including education, visitor engagement, exhibition production and retail. The news comes three years after forming their union with American Federation of State, County and Municipal Employees (AFSCME) District Council 36. We’ve put a lot of time and work into this and I think there’s a general feeling of excitement.” ![]() “We went public three years ago, and have been negotiating for over two years now. We’ve definitely achieved a lot, but there is still more work to be done in terms of shaping the museum field and making jobs within it more sustainable,” says Olivia Leiter, who works in the education department at MOCA and was on the union’s organising committee. Several leadership shakeups at the museum also slowed negotiations. MOCA, like many museums across the country in 2020-21, was forced to furlough a large number of staff, which resulted in some delays in the bargaining process. The Covid-19 pandemic had played a role in slowing down negotiations and in sparking unionisation efforts. The museum and MOCA Union had been in negotiations for over two years. Her vision will help extend and expand the museum’s distinctive legacy as we look ahead to our next era.The union representing staff at the Museum of Contemporary Art (MOCA) in Los Angeles announced on 15 May that it had successfully ratified its first contract with the museum’s administration. She has extensive experience commissioning, presenting, and contextualizing contemporary artists leading global, interdisciplinary research initiatives and strategically building collections. Clara is a talented and trusted curator and arts leader. In a statement on Kim’s hiring, Burton said, “I could not be more excited to announce that Clara Kim is joining MOCA at this pivotal moment in the institution’s history and as I begin my own tenure here. Kim is Burton’s first major hire at the institution. Upon Biesenbach’s departure, Burton was named the institution’s director. Days later, Biesenbach announced that he would depart MOCA to lead the Neue Nationalgalerie and the forthcoming Museum of the 20th Century, two affiliated institutions in Berlin, where he got his start in the museum world. Last September, MOCA announced a restructuring of its senior leadership, demoting Biesenbach from director to artistic director and hiring Johanna Burton as executive director the two were intended to co-lead the institution. Locks resigned from her role in early 2021, saying “MOCA’s leadership is not yet ready to fully embrace IDEA,” referring to the acronym inclusion, diversity, equity, and access. When Klaus Biesenbach joined the institution as director, he did not hire a chief curator, but instead named Mia Locks as senior curator and director of new initiatives. The position of chief curator at the long-embattled museum has been vacant since 2018 after Helen Molesworth was fired by then-director Philippe Vergne, who soon departed the institution. “Throughout my career, I have championed art through exhibitions, residencies, and commissions, driven by the fundamental belief in the possibility of cultural dialogue and exchange to transform individuals and communities,” Kim said in a statement, “As a diverse, multi-lingual, multi-ethnic city, Los Angeles is uniquely positioned to chart new paths and horizons for contemporary art and what museums should look like in the 21st century.” Previously, Kim was senior curator of visual arts at the Walker Art Center in Minneapolis and gallery director and curator at REDCAT in L.A. She also served as a co-curator of the 2018 Gwangju Biennale and the 2017 exhibition “Condemned to be Modern,” which was part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative. Arata Isozaki, Architect Behind MOCA L.A., Dies at Age 91 ![]()
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